De la estetica deformării la estetica râsului în filmele lui David Lynch

Georgiana Tudor explores the symbolic role of laughter in David Lynch’s films, framing it as a dynamic aesthetic of deformation. Drawing on Henri Bergson’s philosophy and Francis Bacon’s art, the author argues that laughter serves as a bridge between reality and the subconscious. Through analyses of Inland Empire, Lost Highway, and The Elephant Man, the study demonstrates how laughter functions as a guide through oniric journeys, highlighting themes of cruelty, identity, and spiritual transcendence. THIS ABSTRACT IS GENERATED WITH ARTIFICIAL INTELLIGENCE.